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How does the aesthetic of the French New Wave cinema occupy existential thinking?

Write a 1500 word essay on the following:
How might one define the aesthetic qualities of the auteur theory?
How does the aesthetic of the French New Wave cinema occupy existential thinking? Specifically in Breathless (1960) by Jean-Luc Godard.
How do jump cuts function as an aesthetic quality within the film, Breathless
(1960) by Jean-Luc Godard?


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