“literalists of the imagination”—above insolence and triviality and can present
for inspection, “imaginary gardens with real toads in them,” shall we have it. In the meantime, if you demand on the one hand, the raw material of poetry in all its rawness and that which is on the other hand genuine, you are interested in poetry

How does the presentation of Moore’s poem—the ragged lines, the uneven breaks—shape our understanding of the poem? How does Moore distinguish her work from the work of her predecessors like Dickinson and Whitman?