With reference to lectures, assigned readings, films, and the poem answer only one of the  following three questions. No other sources are allowed. For questions 1 and 2, you must  refer to at least three essays covered in class and at least one of the four films or poem.

For question 3 you must refer to at least two essays covered in class and at least two of
the films (or one of the films and the poem).

Your chosen texts should not only be from  one national situation. Essays should be approximately six to eight pages (double-spaced,  using 12 point Times New Roman or equivalent font).

1. The authors encountered in our course have discussed the problem of history from
different perspectives, and have conceptualized different modes of producing
narratives about historical events. Throughout the course of your essay you should
introduce the problem of history itself, articulate the respective viewpoints and
strategies of your chosen authors, produce an argument about how
historiographical form is important for the analysis of history and how it might
influence the larger project of East Asian Studies. Your analysis should not
simply summarize the thinkers we have studied in the course, but should use their
analyses as a point of departure for your own argument. Attention should also be  given to the way cultural producers (the filmmakers and/or poet) engage these  same issues.

2. The problem of geography is one that all thinkers must face and is shot through  with power relations. Throughout the course of your essay you should introduce  the problem of geography itself and then articulate the respective viewpoints and  strategies of your chosen authors, produce an argument about how geographical  form is important for the analysis of geography and how it might influence the  larger project of East Asian Studies. Your analysis should not simply summarize  the thinkers we have studied in the course, but should use their analyses as a point  of departure for your own argument. Attention should also be given to the way  cultural producers (the filmmakers and/or poet) engage these same issues?

3. Dominant conceptualizations of time and space do not just exist, but are
produced. After first establishing the significance of these two categories for the
study of East Asia, produce an argument about how at least two of the filmmakers
(or one of the filmmakers and the poet) have challenged the usual effects of these
categories.